Two figures hold position on either side of a chapel entrance, establishing a strict frontal axis. The doorway remains closed, centered between them, while the surrounding walls contain the scene into a narrow passage.
The image operates through symmetry and restraint. The figures do not interact; instead, they define the boundary of the space they occupy. The architecture imposes order, and the figures reinforce it, holding the composition in place.
Part of the Caryatis series, a long-term body of work exploring traditional Greek costume through directed portraiture.
Museum-quality black and white photography print by George Tatakis, produced on Hahnemühle Baryta Photo Rag 315gsm using archival pigment inks. Open edition, with signed and framed options. Each print is house-stamped on the reverse.