Photographed in Prespes, this black and white image is structured around authority through tiered group arrangement.
The subjects are positioned across multiple vertical levels, forming a stepped composition. A central figure stands in the foreground, facing directly forward, holding a fixed posture. Flanking figures define the edges, while additional subjects recede upward in layers. The arrangement is symmetrical but not rigid, allowing slight variations in stance and spacing.
The environment is an interior barn space with exposed beams, rough stone walls, and stacked hay. A horizontal wooden beam cuts across the upper frame, acting as a visual boundary. The background remains dense and enclosed, with limited depth beyond the immediate structure.
The relationship between subject and environment is compressive. The group fills the space almost entirely, leaving minimal negative space. The barn structure contains and reinforces the formation, creating a sense of enclosure and control.
Light enters selectively from the side, producing strong directional contrast. Faces and garments are partially illuminated, while other areas fall into shadow. Materials such as fabric, metal ornaments, wood, and hay are rendered with sharp tonal separation.
Part of the Caryatis series, a long-term body of work exploring traditional Greek costume through directed portraiture.
Printed as an archival pigment print on Hahnemühle fine art paper.
• Tiered group composition
• Enclosed interior structure
• Strong directional lighting contrast
• Dense material and texture rendering
Available in multiple sizes and formats.
Discover more relevant artwork, by heading over to our Macedonia collection.
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