Photographed in Prespes, this black and white image is structured around depth through layered frontal alignment.
The subjects are arranged in a forward-facing formation across multiple planes. A central axis is established by the figures in the middle distance, while additional figures extend toward the edges. One figure in the foreground stands in profile, introducing directional contrast to the otherwise frontal arrangement.
The environment is a church interior defined by an iconostasis and surrounding painted walls. A large candle stand occupies the foreground, partially obscuring the central axis. The space is enclosed, with vertical openings introducing controlled light from above.
The relationship between subject and environment is stratified. The candle stand acts as a foreground barrier, separating the viewer from the group. Behind it, the figures align with the architectural structure, while the iconostasis forms a continuous visual layer at the back.
Light is directional and uneven, illuminating the foreground object and selected faces while leaving peripheral areas in shadow. The flame points introduce small highlights, while textures of metal, fabric, and painted surfaces are rendered with clear tonal separation.
Part of the Caryatis series, a long-term body of work exploring traditional Greek costume through directed portraiture.
Printed as an archival pigment print on Hahnemühle fine art paper.
• Layered depth through foreground obstruction
• Frontal group alignment with variation
• Integration with iconostasis structure
• Directional light with localized highlights
Available in multiple sizes and formats.
Discover more relevant artwork, by heading over to our Macedonia collection.
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