The Filiates bedroom remains intact, with objects held in their original positions despite the absence of use. The bed anchors the space, while surrounding elements maintain a fixed arrangement that resists alteration.
This persistence establishes a contained order. The image no longer functions as a record of habitation, but as a structure sustained by what remains, where presence is defined through retention rather than activity.
Museum-quality black and white photography print by George Tatakis, produced on Hahnemühle Baryta Photo Rag 315gsm using archival pigment inks. Open edition, with signed and framed options. Each print is house-stamped on the reverse.