Photographed in Prespes, this black and white image is structured around authority through central axial alignment.
The primary subject stands at the center, facing directly forward, with two secondary figures positioned slightly behind on either side. The formation creates a clear vertical axis, reinforced by the frontal posture and direct gaze of the central figure. The hands are positioned symmetrically, stabilizing the composition.
The environment is a church interior defined by an iconostasis with large painted icons. Two dominant icon figures flank the composition, creating a symmetrical backdrop. The architectural structure introduces vertical divisions that align with the placement of the subjects.
The relationship between subject and environment is aligned. The central figure occupies the midpoint between the two icons, establishing a direct correspondence between human presence and the painted forms. The secondary figures reinforce the depth without breaking the symmetry.
Light is frontal and controlled, illuminating the central figure more prominently while the background remains slightly subdued. The tonal contrast emphasizes the separation between subject and environment while preserving detail in fabric and painted surfaces.
Part of the Caryatis series, a long-term body of work exploring traditional Greek costume through directed portraiture.
Printed as an archival pigment print on Hahnemühle fine art paper.
• Central axial composition
• Symmetry between subjects and icons
• Frontal posture and direct gaze
• Controlled tonal separation
Available in multiple sizes and formats.
Discover more relevant artwork, by heading over to our Macedonia collection.
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